When a housekeeper is inadvertently killed in the blast, Bobby and Mary must separate never to meet again, repeatedly changing their identities, living a whole series of lives, alone and apart from each other. lots of interesting explorations of sincerity vs. irony/appropriation, certainty vs. uncertainty, authenticity vs. mediated experience, nostalgia vs. forgetting, etc etc etc. And it isn't random. Eat the Document is a compelling story of activism, sacrifice and the cost of living a secret. This darkly fantastical... An ambitious and powerful story about idealism, passion, and sacrifice. My understanding is that they knew the maid was there (that was how they were planning to get in) but presumed they could get her to go outside or that she would leave before the bomb was set to go off. It starts simple, and then moves back and forth in time sketching out the narrative and the characters. My understanding is that they knew the maid was there (that was how they were planning to get in) but presumed they could get her to go outside or tha. Dylan's attempt at deconstructing or subverting or whatever he was trying to do to his own myth here says a lot about the era and leaves the artist as enigmatic as he ever has been, with the usual alternation between sublime poetry and clunking misfires. But this is a story about love, and fear, and remorse, and uncertainty of each, from their own perspectives and voices. Now, in the 1990s, Mary's 15-year-old son Jason (a '70s music buff) begins to uncover his mother's dangerous secret. This one crept up on me as I read it. Spiotta's book just tells and tells and tells, primarily through characters' dialogue, as they use language straight out of the GRE's verbal section and advance the big picture ideas of the book through their words. Many obvious references are made (such as the title of the novel) but there are some more subtle ones, such as the title of an underground bookstore in our present, which is named Prairie Fire. Maybe my interest in the old 60's romantic revolutionaries flavored my initial attraction, I don't know....But before I knew it, I was drawn in--caring about the characters. Show some respect.] It speaks to you for a reason. She has a 15-year-old son who figures prominently into the story, as does Nash. Pat Garrett is hired as a lawman on behalf of a group of wealthy New Mexico cattle barons to bring down his old friend Billy the Kid. As a result none of them seem believable to me and, as a result of that, it's difficult to develop any sort of attachment to anyone. Unlike most of what you see hereabouts, this is required and reflects actual research. Eat the Document is a documentary of Bob Dylan’s 1966 tour of the United Kingdom with the Hawks. A central source text for I’m Not There, the never-released Eat This Document is as close as any movie comes to being a key to all Dylan mythologies—not least because it’s so rarely screened. In fact, there are probably more novels on this theme than deal with the infinitely more influential and important civil rights movement. Loosely based on real events, Spiotta's novel takes us back and forth between the years of Nixon and the Weather Underground to the absurd plethora of antiestablishment movements and vandals of youthful Seattle in the late 1990s. How other they become, and how infinitely necessary and justified the stalking becomes when you realize how little you know about them, how mysterious every aspect of them seems with an at a distance but close examiniation.”, National Book Award Finalist for Fiction (2006), New York Times 100 Notable Books of 2006 (fiction and nonfiction), SOLVED. This novel is really fun and enjoyable to read, but also quite moving and full of important questions of our time about society, rebellion, identity, commodification of subcultures, and more. A young man in our present moves his taste from the Beach Boys to the Kinks, which makes a lot of sense given his situation in the story. It speaks to you for a reason.” I have a feeling I’ll be quoting Eat the Document endlessly. 1972. Loosely based on real events, Spiotta's novel takes us back and forth between the years of Nixon and the Weather Underground to the absurd plethora of antiestablishment movements and vandals of youthful Seattle in the late 1990s. Nothing was wrong with the book: decent characters, an interesting premise (60's political activists gone underground after one of their protests turns deadly... good headline stuff! There’s this mess of lives intertwined, consequences, loss. I just love Dana Spiotta. Nothing was wrong with the book: decent characters, an interesting premise (60's political activists gone underground after one of their protests turns deadly... good headline stuff! Get a sneak peek of the new version of this page. Perhaps this novel was written just for me! When a housekeeper is inadvertently killed in the blast, Bobby and Mary must separate never to meet again, repeatedly changing their identities, living a whole series of lives, alone and apart from each other. Eat The Document Bob Dylan (Actor, Director), Johnny Cash (Actor), D.A. At some point near the end I found myself thinking “this film is brilliant!” for its depiction of the nervous breakdown of a star from his own perspective. Welcome back. Double Feature! Commissioned by ABC-TV, Bob Dylan's film, Eat The Document, never saw the light of day.Why? If you garnered your notion of the USA solely from literature you'd probably end up thinking anti-establishment terrorism was a widespread phenomenon. Eat The Document premiered at the New York Academy Of Music, February 8, 1971. You know, those dudes. Look back at our favorite moments throughout the year, from award shows to up-close shots of celebrities. Absolutely for fans only, this is a documentary of a Dylan tour made by a camera held in a very shaky hand. Because it isn't worth it! This means they eat meat and enjoy feasting on other sea creatures. (1972). She is despairing but understanding and her characters live and breathe and don’t exist to provide punch lines. Perhaps this novel was written just for me! The main characters of Dana Spiotta's magnificent second novel, Eat the Document, they were once in love, but spend all but a few pages of the book intentionally distant and out of communication--fugitives after executing a political bombing in the '70s that went awry. With no film editing experience Dylan decided to edit the film himself and the results, while very entertaining, were simply too weird and perplexing for network executive to allow on television. All the theoretical ideas aside, the characters are real. I am experienced in cooking and I want to be a chef when I grow up. It was shot under Dylan’s direction by D. A. Pennebaker, whose groundbreaking documentary ‘Don’t Look Back’ chronicled Dylan’s 1965 British tour. Eat the Document is a documentary of Bob Dylan's 1966 tour of the United Kingdom with the Hawks. Absolutely for fans only, this is a documentary of a Dylan tour made by a camera held in a very shaky hand. Pennebake (Director) & Format: DVD. Thirty years later, both are living (unbeknownst to one another) in the Seattle area. I love her characters' internal dialogues, contemplative without being pretentious, or if pretentious, then intentionally and for literary effect. Eat the Document is a hugely compelling story of activism, sacrifice, and the cost of living a secret. Woman spent years on the run, living under a false identity [s], Melissa Albert Recommends YA Tales Where the Real World Gets Real Magical. And it isn’t random. You must be a registered user to use the IMDb rating plugin. In the heyday of the 1970s underground, Bobby DeSoto and Mary Whittaker -- passionate, idealistic, and in love -- design a series of radical protests against the Vietnam War. This is my first experience with this author, and it was a positive one throughout. . The title Eat the Document comes from a documentary about Bob Dylan's 1966 tour. This book is so perfect. Based on a true story, primarily on a conflict between two youth gangs, a 14-year-old boy's girlfriend conflicts with the head of one gang for an unclear reason, until finally the conflict comes to a violent climax. A quick two-day read; predictable yet well done. I love her characters' internal dialogues, contemplative without being pretentious, or if pretentious, then i. I found the 90s sections less gripping than Mary's flight and struggles with what she had done and how she had to live as a result. It was shot under Dylan’s direction by D. A. Pennebaker, whose groundbreaking documentary Dont Look Back chronicled Dylan’s 1965 British tour. It's very difficult for me to express what it is that I find so compelling about Dana Spiotta's writing, but here's a try. There is a wealth of observations I found accurate and revealing. Bobby, now known as Nash, runs an alternative book store for his friend Henry, who is dying of cancer. There is an old adage in writing programs: "show, don't tell." This is a fabulous novel that compares youth culture and activism now versus the late 1960's when war raged in Vietnam. Watch this documentary together and discuss why you think this is an appropriate title for Dana Spiotta's novel. The story of a 1970s radical, Mary, who has to go underground, it bounces between her past and the late 90s where she lives as a single mom to a musiciphile son. Maybe I infuse ordinary experience with a kind of sacred aura to mitigate the spiritual vapidity of my life....no, it is beautiful to be enraptured. November 28th 2006 So it's really nice to read something that sort of covers some of the same contemporary existential and emotional ground, from multiple female (and male) viewpoints, written by a female. It tells the story of two lovers, passionately committed 1970s anti-war protestors who, as a consequence of choices made back then, have had to erase their pasts, forge new identities and never see each other again. I think Dana Spiotta should be considered right up there amongst the pantheon that includes such notables as Franzen, Lethem, Lipsyte, Foer, etc. and lovers of/serious consumers of art, music, etc. This book is worth it for the word "unstoppingly"--God, that adverb made me cry it was so beautiful, its placement so perfect. The story of a 1970s radical, Mary, who has to go underground, it bounces between her past and the late 90s where she lives as a single mom to a musiciphile son. It was shot under Dylan's direction by D. A. Pennebaker, whose groundbreaking documentary Dont Look Back chronicled Dylan's 1965 British tour. And made dishes including spaghetti, chicken fettuccine Alfredo, tacos ,etc. Most of the focus of the iconoclasts we meet is on music and other media, and by its end this story is much more about capitalist virtual reality and irony than about idealism. The book is filled with allusions to pop mus. The narrators alternate, but the most satisfying stor. More than a portrait of life underground, Eat the Document derives its power from an implicit comparison of '70s radicalism to the pale protests of present-day consumer culture, somehow upholding the idealism and commitment of the earlier period without advocating its violent methods. Start by marking “Eat the Document” as Want to Read: Error rating book. I mulled over rating Eat the Document for a while. It's a better novel than her most recent one, Stone Arabia. Eat the Document would make a good, but probably unwatchable, triple feature with Neil Young's Journey Through the Past and The Stones' Cocksucker Blues, a sixties triptych painted on broken windowpanes after a night of very bad drugs. At any rate every time I read something by those dudes, and many other dude novels, I don't really trust them when they try to portray female characters in first-person. Engagingly written, interesting tale of two radicals forced to separate and go underground after a bombing kills an innocent person. The book skips back and forth from the late 1990s to the early 1970s, and shows the journey Mary went through running away and also shows how she is coping 25 years later. [What happened in the second last chapter? We’d love your help. “I wondered if my life was going to be one immersion after another, a great march of shallow, unpopular popular culture infatuations that don't really last and don't really mean anything. Got this from the library so I couldn't write in it, which is frustrating-- will be on lookout for my own copy. With its energetic execution, passages seem to vibrate, beautifully written yet precise. All I've got is a tattoo that nobody can see and a good credit score. Thirty years on, now living as Louise, Mary must decide whether to give. a middle-aged man who works at a local Seattle bookstore. 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