These blockbusters play like the Bollywood ‘Black Panther’. The big sceneThe song sequence ‘Waqt Ne Kiya Kya Haseen Sitam’, stunningly shot by cinematographer VK Murthy, sees Dutt and Rehman’s characters regretting the decisions they’ve made in life. The big sceneThe film’s climactic scene borrowed from Bimal Roy’s 1958 classic, ‘Madhumati’, and sees Shanti’s spirit return to help Om complete his revenge against Mehra. RECOMMENDED: The 100 best movies of all time. This story of real-life Mughal emperor Akbar (Roshan) and his Hindu wife Jodhaa (Bachchan) doesn’t exactly follow the facts. The big sceneShambhu, now pulling a rickshaw in Calcutta, is urged by a stranger to chase down another rickshaw carrying the man’s girlfriend, in exchange for money. The big sceneWhen real/reel wife and real/reel mistress meet in a highly-charged confrontational scene and both agree to fight for their man. The film ended with Dutt’s character – a dejected filmmaker – dying in his chair at a film studio. Pooja (Azmi) finds the bubble of her happy marriage starting to burst when she discovers that her filmmaker husband, Inder (Kharbanda), is having an affair with Kavita (Patil). Evoking ‘Mother India’ with its story of a good son pitched against a bad one and a mother caught between them, ‘Deewaar’ places an anti-hero centrestage. The big sceneRohan and his father jog together each morning: one day Rohan finally outruns his father, metaphorically and literally. He dreams of becoming a writer, but instead he’s forced to work in the family business and later to attend engineering school. Yash Chopra’s most romantic movie is a superior Bollywood soap dealing with intergenerational love, personal sacrifices and secrets and lies in the lives of two middle-class Delhi families. classics like 1957's ‘Mother India’, the first Hindi film to be nominated for Best Foreign-Language Film at the Oscars, to blockbusters like the ‘Bahubali’ saga, two films that sized up Hollywood and said, ‘We can do that too!’. The big sceneThe nine-minute dance number, ‘Ghar Aya Mera Pardesi’ (‘My lover has come home’), sung by Lata Mangeshkar, is a dream sequence famous for its elaborate sets. It’s all told against the backdrop of the last days of the old system of zamindari (a way of collecting tax) in colonial, nineteenth-century Bengal. Often overshadowed by ‘Amar Akbar Anthony’ (same director, same year), ‘Parvarish’ is the quintessential masala movie: a populist film with a little bit of something for everyone. The big sceneWhen Mahendra Baahubali’s father,  Amarendra shows off his strength by lifting a gargantuan statute of the Hindu god Shiva, preventing it from falling and killing people. This is true epic filmmaking, with magnificent sets, huge battle scenes with hundreds of real elephants, elaborate costumes, an evergreen score and naturalistic acting. Cast: Meena Kumari, Rehman, Guru Dutt, Waheeda Rehman. Akash is oblivious not only to Simran’s shady past as a ‘dance girl’ in sordid Mumbai bars but also to the fact that she is the girlfriend of Daya (Ahuja) a dangerous criminal. The film was a runaway hit, best remembered for Khan and Kajol’s sizzling chemistry and Jatin-Lalit’s music. Kapoor’s unnamed character moves from one part of the building to another, coming across several people, all of whom hide murky secrets. Directed by Neeraj Ghaywan. When Karan returns after completing his education abroad, he realises his brother has become a gangster working for Anna (Patekar). The big sceneThe bike chase scene, with the duo jumping over a moving train while dodging bullets. After a video of herself singing a song while wearing a niqab to protect her identity goes viral, she has to either face her father’s wrath or give up her dream. They go from being unlikely travel companions to friends to, eventually, lovers. Mohan Bhargav (Khan, in one of his best performances) is on a short break from his job at Nasa in the States and visits his hometown in India. While sticking to the underdog-overcomes-obstacles template, Amin and Sahni deftly weave in themes of cultural diversity, religious difference and feminism. Will the lovers be reunited and will ‘respectable society’ accept them? Cast: Amitabh Bachchan, Shah Rukh Khan, Hrithik Roshan. The film boasts a brilliant score by Salil Choudhury. The big sceneWell-meaning pickpocketing; a submarine; the nature-versus-nurture debate; and a villain’s lair with its own lava pit… ‘Parvarish’ has it all. It’s a striking symbol of the power of the collective over the individual. Cast: Prithviraj Kapoor, Raj Kapoor, Nargis. ‘Udaan’ offers a realistic set-up, a simple story familiar to many Indians and some superb, understated performances. ‘Jab We Met’ established Imtiaz’s trademark filmmaking style, which includes conversational romance and travel. Shekhar ‘Elizabeth’ Kapur’s most famous Bollywood film. But it’s also groundbreaking for its sexual explicitness, including wet kisses. Cast: Aamir Khan, Salman Khan, Raveena Tandon. This isn’t the classic idea of Bollywood, but it’s a strong film nevertheless. The big sceneThe entire film is a series of highlights, including a boxing match, a glass mansion on fire and a climactic song with the three heroes and their girls dressed as characters including matadors, Cossacks and Chaplin. Translated as ‘You only live once’, this buddy-meets-mid-life-crisis movie sees three friends take a road trip in Spain: Arjun (Roshan) is a workaholic; Imraan (Farhan Akhtar) wants to track down his biological father; and Kabir (Deol) is unsure about his upcoming wedding. The song ‘Thenpandi cheemaiyile’ tops a much-admired soundtrack by veteran Indian film composer Ilaiyaraaja, who has now scored over 1000 films in his career. Om (Khan) is a junior artist in love with superstar Shanti (Padukone) in the 1970s. The standard love-triangle template is made exotic by Shankar-Jaikishan’s timeless music and Raj Kapoor’s love for foreign locales. ‘Khakee’ explores what would have happened to the character 30 years later. Here, Johar brought together a dream cast to play a fractured family. Cast: Guru Dutt, Waheeda Rehman, Johnny Walker. Inspired by the Hollywood weepie ‘No Man of Her Own’ (1950), Shakti Samanta’s film addresses the still-taboo theme of widows remarrying. Varun Grover (born 26 January 1980) is an Indian stand-up comic, writer and poet. Bollywood Stars and Celebrities Residential Address. There’s Rahul (Khan), who does not understand how two people can fall in love. The big sceneA drunk Kumari pleads with her arrogant husband to stay and make love to her via the song ‘Na jao saiyan’ – a bold scene back then. Along India's Ganges River, four people face prejudice, a strict moral code and a punishing caste system as they confront personal tragedies. Raj’s line – ‘Senorita bade bade desho me aisi choti choti baatein hoti rehti’ (‘Senorita, don’t get stressed by the little things’) – has crossed into daily usage. Obviously. The escapist formula honed by director Manmohan Desai (‘Dharam Veer’, Roti’) peaked with this late 1970s film about three brothers – each named in the title – separated at birth. Its main characters, Devdas (Khan) and Paro (Rai), are childhood lovers, but class differences and difficult parents cause them to separate. Cast: Shah Rukh Khan, Deepika Padukone, Arjun Rampal. Surprisingly, our Film Companion curators – Anupama Chopra, Baradwaj Rangan, Rahul Desai, Mohini Chaudhuri and Sankhayan Ghosh – readily agreed on a majority of the picks. The real superstar of this melodramatic film is RD Burman’s classic score: every track remains popular to this day. Cast: Amitabh Bachchan, Vinod Khanna, Neetu Singh, Shabana Azmi. The popularity of the film (the title translates as ‘The brave-hearted will take away the bride’) is reflected in the fact that it has screened daily in Mumbai’s Maratha Mandir cinema for 19 years and counting. When his snobbish parents object to their ‘friendship’, the young lovers decide to elope. It’s an irresistible and impeccably cast film. Cast: Abhishek Bachchan, Uday Chopra, John Abraham. Ratnam’s interest in political issues may have clashed with Khan’s lover-boy image at the time, but at least the actor has one solid drama in his otherwise monotonous filmography. Cast: Amitabh Bachchan, Vinod Khanna, Rishi Kapoor. ‘Black Friday’ is a rare thing: an engaging Hindi film based on a true story. Cast: Amitabh Bachchan, Akshay Kumar, Ajay Devgn. A runaway hit on release, ‘Om Shanti Om’ achieved what other similar films before it had tried and largely failed to do – to satirise the idiosyncrasies of the Hindi film industry. Alle freien Wohnungen zur Miete in Franken finden Sie im regionalen Immobilienanzeigenmarkt bei immo.inFranken.de. With Richa Chadha, Sanjay Mishra, Vicky Kaushal, Pankaj Tripathi. The big sceneA poor farmer explains the difficulties faced by him because of the oppressive nature of the people he deals with, which moves Bhargav to tears. Like his earlier classic ‘Amar Akbar Anthony’ (1977), this is Bollywood kitsch at its best. What sets ‘Satya’ apart from other gangster films is the realistic portrayal of the criminals’ daily lives and Varma’s unrestrained, gloomy treatment of the subject. The film is considered ahead of its time for showing its protagonists, Raju (Anand) and Rosie (Rehman), having an extra-marital affair, and also for presenting its lead character as an unscrupulous scumbag. Ajit (Kapoor) marries the shy Kanchan (Raakhee), thinking she is the vivacious Kamini (also Raakhee), not realising they are identical twins. Nair cast real street children, something that Danny Boyle would later do for ‘Slumdog Millionaire’, and the film’s strength is that it observes and illuminates but does not judge – we’re given more than enough room to make up our own minds on the issues raised by the film. The big sceneWhen the top screen villain of the time Prem Chopra makes a cameo as himself. This is cinema as love song. ‘Kaala Patthar’ wears its proletarian heart on its sleeve. Both films blend high fantasy and action with an almost Shakespearean sense of drama, resulting in a double bill that knows when to rein it in. The two discover the dead body and fight to ensure that it doesn’t end up in the hands of a motley group – the killer, his competitor, his two associates and a journalist, all of whom have vested interests in the case. ‘Barfi!’ announced Kapoor as a credible actor and rising superstar rather than just a pretty boy. The big sceneThe song ‘Kyon’ sees a gentle acoustic guitar accompany Barfi’s attempts to move on from the fairytale world of the film. Known as The Show Man, Raj Kapoor’s most famous film is a grand Oedipal melodrama exploring the nature-versus-nurture debate. Yash Chopra, Bollywood’s most successful and respected director, delivers a groundbreaking musical romance on an epic scale. The big sceneThe girls’ team goes up against the boys’ national team, winning the respect of the opposing team and the selectors. The 2005 remake was similarly well received, and made Vidya Balan an overnight star in India. A love story about star-crossed lovers from different faiths who elope to Bombay to start a family, it proved so controversial on its release in 1995 that director Mani Ratnam’s house was bombed by extremists. The four friends go their separate ways, leaving Naina’s love for Bunny unspoken. The big sceneThe climax when the fate of Omkara’s lover, Dolly (Kapoor) – falsely accused of having an affair – is finally sealed. Cast: Amitabh Bachchan, Jaya Bhaduri, Ajit, Pran. Menacing mafia don Sardar Khan (Bajpai), and his Bollywood-loving, stoner son Faizal (Siddiqui), are both compelling screen presences. What made the film doubly successful was that its two stars were former lovers in real life, lending them a special chemistry onscreen. Cast: Anil Kapoor, Madhuri Dixit, Anupam Kher. Ashutosh Gowariker, director of the Oscar-nominated ‘Lagaan’, executes a perfect balance of spectacle, performances, ideas and story, never sacrificing the entertainment factor and allowing us to bask in the costumes and production design. Bearing many similarities to Christopher Nolan’s ‘Memento’, this way-over-the-top thriller leans heavily on its main character’s short-term-memory loss. However, Kalpana falls foul of a local crime lord and Sanjay is determined to avenge her death… ‘Ghajini’ was an enormous hit in India. Laxmikant Pyarelal’s fresh soundtrack added to the appeal of this sweet film, with every song remaining a hit to this day. Cast: Shafiq Syed, Raghuvir Yadav, Nana Patekar. The results aren't all strictly Bollywood films, but they are all incredible, spanning classics like 1957's ‘Mother India’, the first Hindi film to be nominated for Best Foreign-Language Film at the Oscars, to blockbusters like the ‘Bahubali’ saga, two films that sized up Hollywood and said, ‘We can do that too!’. The big sceneWhen the grandmother hides away in order to stay in her ‘home’. The big sceneAditya and Geet are stranded at a desolate railway station after missing their train and go looking for accommodation for the night. Cast: Jackie Shroff, Anil Kapoor, Nana Patekar. He marries her without seeing her, so the shallow groom is understandably upset on his wedding night. Laxmi falls pregnant by bored middle-class student Surya (Nag) at his family’s holiday farmhouse. A race follows. The big sceneSardar Khan’s pregnant, no-nonsense wife Nagma (Chadda) discovers him in a brothel and pulls out a knife – the sight of the terrifying hard man cowering and fleeing is gold. The big sceneThe show-stopping theatrical dance piece ‘Ae Bandi Tum’, performed by Gopi Krishna and Roshan Kumari and sung by Asha Bhosle and Kishore Kumar. Excellent soundtrack, too. Cast: Amitabh Bachchan, Shashi Kapoor, Shatrugan Sinha, Genre: action, crime, thriller, historical. But it’s told in such a cheeky kitsch way that the viewer surrenders to its sheer energy. The rest of this admirable and realistic film explores the fallout from these events and bravely adopts a strong feminist stance. Like the ‘Wakanda forever!’ salute in ‘Black Panther’, ‘Baahubali’ will always be associated with the chant ‘Jai Mahishmathi’. This same dilemma is mirrored in Tiger’s colleague, Gopi (Shorey), who may have to rat out his friend. Long before director Anurag Kashyap broke on to the international scene with films like 2012’s ‘Gangs of Wasseypur’, he struggled to release this controversial real-life drama about the infamous 1993 bomb blasts in Mumbai – arguably his best film to date. Embarrassed about being found out by Shai, Munna flees. Lead actor and director Raj Kapoor modelled his on-screen persona in ‘Shree 420’ and other films after Charlie Chaplin’s Little Tramp. Both films blend high fantasy and action with an almost Shakespearean sense of drama, resulting in a double bill that knows when to rein it in. It’s widely considered to be one of Indian cinema’s most romantic scenes. Chopra employs his trademark ‘chiffon sari in the Swiss Alps’ style while including progressive political and social messages about Indo-Pak unity, women’s rights, inept justice and hope for the future. The big sceneA sizzling sword fight between the emperor and the princess, a woman with serious physical presence who refuses to bow her head. The film’s reputation is also bolstered by its pedigree: it was produced under the venerable Yash Raj banner and all four of its romantic leads came from established film families (including the producer’s son, Uday Chopra). Cast: Shah Rukh Khan, Shilpa Shukla, Vidya Malvade. Cast: Shah Rukh Khan, Sushmita Sen, Sunil Shetty. The bizarre characters around Meenakshi include her father, who smokes four cigarettes at once; a grandmother with gold teeth; and her friend Mynah (a superb Date), who has a weird Lady Gaga obsession. The heart-wrenching montage during the song ‘Nadaan Parindey’ as we see Jordan overcome with debilitating grief. Manmohan Desai’s star-filled film repeats his customary ‘lost and found’ formula of villains separating a young family who in adulthood reunite to seek revenge. Look out for your first newsletter in your inbox soon! Years later, Raj’s brother Rohan (Roshan) strives to bring the family together. It’s held together by teenage actress Padmini Kolhapure, who is utterly convincing and sympathetic as the unlucky bride who discovers the true meaning of love. His family is Punjabi. Cast: Aamir Khan, Madhavan, Sharman Joshi, Kareena Kapoor. This spy thriller tells of Vinay (Anand), an ordinary young man with a striking resemblance to a jewel thief, Amar (also Anand). It’s an unapologetically bitter and stylish revenge story about an honest cop, Vijay (Bachchan), who has been haunted since childhood by nightmares about his father’s murder by a stranger – but all that’s known about the killer is that he wore a bracelet with a white stallion charm. The big sceneThe first image of Shakaal with his shiny, bald head and his punishment aquarium full of crocodiles and sharks sticks long in the memory. The big sceneDuring the song ‘Tanhayee’, the Melbourne skyline whizzes by Aamir Khan, who is far from home and desolate after learning about the marriage of his lover to another man. The big sceneAn exploitative and dated rape sequence in which the baddie manhandles the leading lady and exposes her underwear. Dutt’s silhouette, with the flash of light around him flooding the dark auditorium, sticks in the memory. 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